Thomas Hardy: Tess of the d'Urbervilles

Phase the Fifth: The Woman Pays
43. CHAPTER XLIII

There was no exaggeration in Marian's definition of Flintcomb-Ash farm as a starve-acre place. The single fat thing on the soil was Marian herself; and she was an importation. Of the three classes of village, the village cared for by its lord, the village cared for by itself, and the village uncared for either by itself or by its lord (in other words, the village of a resident squires's tenantry, the village of free or copy-holders, and the absentee-owner's village, farmed with the land) this place, Flintcomb-Ash, was the third.

But Tess set to work. Patience, that blending of moral courage with physical timidity, was now no longer a minor feature in Mrs Angel Clare; and it sustained her.

The swede-field in which she and her companion were set hacking was a stretch of a hundred odd acres, in one patch, on the highest ground of the farm, rising above stony lanchets or lynchets--the outcrop of siliceous veins in the chalk formation, composed of myriads of loose white flints in bulbous, cusped, and phallic shapes. The upper half of each turnip had been eaten off by the live-stock, and it was the business of the two women to grub up the lower or earthy half of the root with a hooked fork called a hacker, that it might be eaten also. Every leaf of the vegetable having already been consumed, the whole field was in colour a desolate drab; it was a complexion without features, as if a face, from chin to brow, should be only an expanse of skin. The sky wore, in another colour, the same likeness; a white vacuity of countenance with the lineaments gone. So these two upper and nether visages confronted each other all day long, the white face looking down on the brown face, and the brown face looking up at the white face, without anything standing between them but the two girls crawling over the surface of the former like flies.

Nobody came near them, and their movements showed a mechanical regularity; their forms standing enshrouded in Hessian "wroppers"--sleeved brown pinafores, tied behind to the bottom, to keep their gowns from blowing about--scant skirts revealing boots that reached high up the ankles, and yellow sheepskin gloves with gauntlets. The pensive character which the curtained hood lent to their bent heads would have reminded the observer of some early Italian conception of the two Marys.

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