Alexandre Dumas: The Count of Monte Cristo

Chapter 66: Matrimonial Projects.

The day following this scene, at the hour the banker usually chose to pay a visit to Madame Danglars on his way to his office, his coupe did not appear. At this time, that is, about half-past twelve, Madame Danglars ordered her carriage, and went out. Danglars, hidden behind a curtain, watched the departure he had been waiting for. He gave orders that he should be informed as soon as Madame Danglars appeared; but at two o'clock she had not returned. He then called for his horses, drove to the Chamber, and inscribed his name to speak against the budget. From twelve to two o'clock Danglars had remained in his study, unsealing his dispatches, and becoming more and more sad every minute, heaping figure upon figure, and receiving, among other visits, one from Major Cavalcanti, who, as stiff and exact as ever, presented himself precisely at the hour named the night before, to terminate his business with the banker. On leaving the Chamber, Danglars, who had shown violent marks of agitation during the sitting, and been more bitter than ever against the ministry, re-entered his carriage, and told the coachman to drive to the Avenue des Champs-Elysees, No. 30.

Monte Cristo was at home; only he was engaged with some one and begged Danglars to wait for a moment in the drawing-room. While the banker was waiting in the anteroom, the door opened, and a man dressed as an abbe and doubtless more familiar with the house than he was, came in and instead of waiting, merely bowed, passed on to the farther apartments, and disappeared. A minute after the door by which the priest had entered reopened, and Monte Cristo appeared. "Pardon me," said he, "my dear baron, but one of my friends, the Abbe Busoni, whom you perhaps saw pass by, has just arrived in Paris; not having seen him for a long time, I could not make up my mind to leave him sooner, so I hope this will be sufficient reason for my having made you wait."

"Nay," said Danglars, "it is my fault; I have chosen my visit at a wrong time, and will retire."

"Not at all; on the contrary, be seated; but what is the matter with you? You look careworn; really, you alarm me. Melancholy in a capitalist, like the appearance of a comet, presages some misfortune to the world."