Charles Dickens: Barnaby Rudge

Chapter 9 (continued)

'I don't go to bed this night!' said Miggs, wrapping herself in a shawl, and drawing a couple of chairs near the window, flouncing down upon one, and putting her feet upon the other, 'till you come home, my lad. I wouldn't,' said Miggs viciously, 'no, not for five-and-forty pound!'

With that, and with an expression of face in which a great number of opposite ingredients, such as mischief, cunning, malice, triumph, and patient expectation, were all mixed up together in a kind of physiognomical punch, Miss Miggs composed herself to wait and listen, like some fair ogress who had set a trap and was watching for a nibble from a plump young traveller.

She sat there, with perfect composure, all night. At length, just upon break of day, there was a footstep in the street, and presently she could hear Mr Tappertit stop at the door. Then she could make out that he tried his key--that he was blowing into it-- that he knocked it on the nearest post to beat the dust out--that he took it under a lamp to look at it--that he poked bits of stick into the lock to clear it--that he peeped into the keyhole, first with one eye, and then with the other--that he tried the key again-- that he couldn't turn it, and what was worse, couldn't get it out-- that he bent it--that then it was much less disposed to come out than before--that he gave it a mighty twist and a great pull, and then it came out so suddenly that he staggered backwards--that he kicked the door--that he shook it--finally, that he smote his forehead, and sat down on the step in despair.

When this crisis had arrived, Miss Miggs, affecting to be exhausted with terror, and to cling to the window-sill for support, put out her nightcap, and demanded in a faint voice who was there.

Mr Tappertit cried 'Hush!' and, backing to the road, exhorted her in frenzied pantomime to secrecy and silence.

'Tell me one thing,' said Miggs. 'Is it thieves?'

'No--no--no!' cried Mr Tappertit.