Charles Dickens: Bleak House

25. CHAPTER XXV: Mrs. Snagsby Sees It All (continued)

"Or, my juvenile friends," says Chadband, descending to the level of their comprehension with a very obtrusive demonstration in his greasily meek smile of coming a long way downstairs for the purpose, "if the master of this house was to go forth into the city and there see an eel, and was to come back, and was to call unto him the mistress of this house, and was to say, 'Sarah, rejoice with me, for I have seen an elephant!' would THAT be Terewth?"

Mrs. Snagsby in tears.

"Or put it, my juvenile friends, that he saw an elephant, and returning said 'Lo, the city is barren, I have seen but an eel,' would THAT be Terewth?"

Mrs. Snagsby sobbing loudly.

"Or put it, my juvenile friends," said Chadband, stimulated by the sound, "that the unnatural parents of this slumbering heathen--for parents he had, my juvenile friends, beyond a doubt--after casting him forth to the wolves and the vultures, and the wild dogs and the young gazelles, and the serpents, went back to their dwellings and had their pipes, and their pots, and their flutings and their dancings, and their malt liquors, and their butcher's meat and poultry, would THAT be Terewth?"

Mrs. Snagsby replies by delivering herself a prey to spasms, not an unresisting prey, but a crying and a tearing one, so that Cook's Court re-echoes with her shrieks. Finally, becoming cataleptic, she has to be carried up the narrow staircase like a grand piano. After unspeakable suffering, productive of the utmost consternation, she is pronounced, by expresses from the bedroom, free from pain, though much exhausted, in which state of affairs Mr. Snagsby, trampled and crushed in the piano-forte removal, and extremely timid and feeble, ventures to come out from behind the door in the drawing-room.

This is page 413 of 1012. [Mark this Page]
Mark any page to add this title to Your Bookshelf. (6 / 10 books on shelf)
Customize text appearance:
Color: A A A A A   Font: Aa Aa   Size: 1 2 3 4 5   Defaults
(c) 2003-2012 LiteraturePage.com and Michael Moncur. All rights reserved.
For information about public domain texts appearing here, read the copyright information and disclaimer.