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Chapter 16 (continued)
When my sister found that Biddy was very quick to understand her, this mysterious sign reappeared on the slate. Biddy looked thoughtfully at it, heard my explanation, looked thoughtfully at my sister, looked thoughtfully at Joe (who was always represented on the slate by his initial letter), and ran into the forge, followed by Joe and me.
"Why, of course!" cried Biddy, with an exultant face. "Don't you see? It's him!"
Orlick, without a doubt! She had lost his name, and could only signify him by his hammer. We told him why we wanted him to come into the kitchen, and he slowly laid down his hammer, wiped his brow with his arm, took another wipe at it with his apron, and came slouching out, with a curious loose vagabond bend in the knees that strongly distinguished him.
I confess that I expected to see my sister denounce him, and that I was disappointed by the different result. She manifested the greatest anxiety to be on good terms with him, was evidently much pleased by his being at length produced, and motioned that she would have him given something to drink. She watched his countenance as if she were particularly wishful to be assured that he took kindly to his reception, she showed every possible desire to conciliate him, and there was an air of humble propitiation in all she did, such as I have seen pervade the bearing of a child towards a hard master. After that day, a day rarely passed without her drawing the hammer on her slate, and without Orlick's slouching in and standing doggedly before her, as if he knew no more than I did what to make of it.
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