W. Somerset Maugham: Of Human Bondage

38. CHAPTER XXXVIII (continued)

But Philip could not conceal from himself that the other clerks, ill-paid and uncouth, were more useful than himself. Once or twice Mr. Goodworthy grew impatient with him.

"You really ought to be able to do better than this by now," he said. "You're not even as smart as the office-boy."

Philip listened sulkily. He did not like being blamed, and it humiliated him, when, having been given accounts to make fair copies of, Mr. Goodworthy was not satisfied and gave them to another clerk to do. At first the work had been tolerable from its novelty, but now it grew irksome; and when he discovered that he had no aptitude for it, he began to hate it. Often, when he should have been doing something that was given him, he wasted his time drawing little pictures on the office note-paper. He made sketches of Watson in every conceivable attitude, and Watson was impressed by his talent. It occurred to him to take the drawings home, and he came back next day with the praises of his family.

"I wonder you didn't become a painter," he said. "Only of course there's no money in it."

It chanced that Mr. Carter two or three days later was dining with the Watsons, and the sketches were shown him. The following morning he sent for Philip. Philip saw him seldom and stood in some awe of him.

"Look here, young fellow, I don't care what you do out of office-hours, but I've seen those sketches of yours and they're on office-paper, and Mr. Goodworthy tells me you're slack. You won't do any good as a chartered accountant unless you look alive. It's a fine profession, and we're getting a very good class of men in it, but it's a profession in which you have to..." he looked for the termination of his phrase, but could not find exactly what he wanted, so finished rather tamely, "in which you have to look alive."

This is page 205 of 798. [Mark this Page]
Mark any page to add this title to Your Bookshelf. (0 / 10 books on shelf)
Customize text appearance:
Color: A A A A A   Font: Aa Aa   Size: 1 2 3 4 5   Defaults
(c) 2003-2012 LiteraturePage.com and Michael Moncur. All rights reserved.
For information about public domain texts appearing here, read the copyright information and disclaimer.