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48. CHAPTER XLVIII
When Philip returned to Amitrano's he found that Fanny Price was no longer working there. She had given up the key of her locker. He asked Mrs. Otter whether she knew what had become of her; and Mrs. Otter, with a shrug of the shoulders, answered that she had probably gone back to England. Philip was relieved. He was profoundly bored by her ill-temper. Moreover she insisted on advising him about his work, looked upon it as a slight when he did not follow her precepts, and would not understand that he felt himself no longer the duffer he had been at first. Soon he forgot all about her. He was working in oils now and he was full of enthusiasm. He hoped to have something done of sufficient importance to send to the following year's Salon. Lawson was painting a portrait of Miss Chalice. She was very paintable, and all the young men who had fallen victims to her charm had made portraits of her. A natural indolence, joined with a passion for picturesque attitude, made her an excellent sitter; and she had enough technical knowledge to offer useful criticisms. Since her passion for art was chiefly a passion to live the life of artists, she was quite content to neglect her own work. She liked the warmth of the studio, and the opportunity to smoke innumerable cigarettes; and she spoke in a low, pleasant voice of the love of art and the art of love. She made no clear distinction between the two.
Lawson was painting with infinite labour, working till he could hardly stand for days and then scraping out all he had done. He would have exhausted the patience of anyone but Ruth Chalice. At last he got into a hopeless muddle.
"The only thing is to take a new canvas and start fresh," he said. "I know exactly what I want now, and it won't take me long."
Philip was present at the time, and Miss Chalice said to him:
"Why don't you paint me too? You'll be able to learn a lot by watching Mr. Lawson."
It was one of Miss Chalice's delicacies that she always addressed her lovers by their surnames.
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