E. M. Forster: A Room With a View

Part One Chapter 5: Possibilities of a Pleasant Outing (continued)

Happy Charlotte, who, though greatly troubled over things that did not matter, seemed oblivious to things that did; who could conjecture with admirable delicacy "where things might lead to," but apparently lost sight of the goal as she approached it. Now she was crouching in the corner trying to extract a circular note from a kind of linen nose-bag which hung in chaste concealment round her neck. She had been told that this was the only safe way to carry money in Italy; it must only be broached within the walls of the English bank. As she groped she murmured: "Whether it is Mr. Beebe who forgot to tell Mr. Eager, or Mr. Eager who forgot when he told us, or whether they have decided to leave Eleanor out altogether--which they could scarcely do--but in any case we must be prepared. It is you they really want; I am only asked for appearances. You shall go with the two gentlemen, and I and Eleanor will follow behind. A one-horse carriage would do for us. Yet how difficult it is!"

"It is indeed," replied the girl, with a gravity that sounded sympathetic.

"What do you think about it?" asked Miss Bartlett, flushed from the struggle, and buttoning up her dress.

"I don't know what I think, nor what I want."

"Oh, dear, Lucy! I do hope Florence isn't boring you. Speak the word, and, as you know, I would take you to the ends of the earth to-morrow."

"Thank you, Charlotte," said Lucy, and pondered over the offer.

There were letters for her at the bureau--one from her brother, full of athletics and biology; one from her mother, delightful as only her mother's letters could be. She had read in it of the crocuses which had been bought for yellow and were coming up puce, of the new parlour-maid, who had watered the ferns with essence of lemonade, of the semi-detached cottages which were ruining Summer Street, and breaking the heart of Sir Harry Otway. She recalled the free, pleasant life of her home, where she was allowed to do everything, and where nothing ever happened to her. The road up through the pine-woods, the clean drawing-room, the view over the Sussex Weald--all hung before her bright and distinct, but pathetic as the pictures in a gallery to which, after much experience, a traveller returns.