Henry Fielding: The History of Tom Jones, a foundling

BOOK VII. CONTAINING THREE DAYS. 1. Chapter i. A comparison between the world and the stage. (continued)

Those persons, indeed, who have passed any time behind the scenes of this great theatre, and are thoroughly acquainted not only with the several disguises which are there put on, but also with the fantastic and capricious behaviour of the Passions, who are the managers and directors of this theatre (for as to Reason, the patentee, he is known to be a very idle fellow and seldom to exert himself), may most probably have learned to understand the famous nil admirari of Horace, or in the English phrase, to stare at nothing.

A single bad act no more constitutes a villain in life, than a single bad part on the stage. The passions, like the managers of a playhouse, often force men upon parts without consulting their judgment, and sometimes without any regard to their talents. Thus the man, as well as the player, may condemn what he himself acts; nay, it is common to see vice sit as awkwardly on some men, as the character of Iago would on the honest face of Mr William Mills.

Upon the whole, then, the man of candour and of true understanding is never hasty to condemn. He can censure an imperfection, or even a vice, without rage against the guilty party. In a word, they are the same folly, the same childishness, the same ill-breeding, and the same ill-nature, which raise all the clamours and uproars both in life and on the stage. The worst of men generally have the words rogue and villain most in their mouths, as the lowest of all wretches are the aptest to cry out low in the pit.