William Makepeace Thackeray: Vanity Fair

29. XXIX: Brussels (continued)

"She's been useful to you, my dear," George said to his wife, whom he could leave alone with less scruple when she had this society. "But what a comfort it is that Rebecca's come: you will have her for a friend, and we may get rid now of this damn'd Irishwoman." To this Amelia did not answer, yes or no: and how do we know what her thoughts were?

The coup d'oeil of the Brussels opera-house did not strike Mrs. O'Dowd as being so fine as the theatre in Fishamble Street, Dublin, nor was French music at all equal, in her opinion, to the melodies of her native country. She favoured her friends with these and other opinions in a very loud tone of voice, and tossed about a great clattering fan she sported, with the most splendid complacency.

"Who is that wonderful woman with Amelia, Rawdon, love?" said a lady in an opposite box (who, almost always civil to her husband in private, was more fond than ever of him in company).

"Don't you see that creature with a yellow thing in her turban, and a red satin gown, and a great watch?"

"Near the pretty little woman in white?" asked a middle-aged gentleman seated by the querist's side, with orders in his button, and several under-waistcoats, and a great, choky, white stock.

"That pretty woman in white is Amelia, General: you are remarking all the pretty women, you naughty man."

"Only one, begad, in the world!" said the General, delighted, and the lady gave him a tap with a large bouquet which she had.

"Bedad it's him," said Mrs. O'Dowd; "and that's the very bokay he bought in the Marshy aux Flures!" and when Rebecca, having caught her friend's eye, performed the little hand-kissing operation once more, Mrs. Major O'D., taking the compliment to herself, returned the salute with a gracious smile, which sent that unfortunate Dobbin shrieking out of the box again.