Oscar Wilde: Essays and Lectures

THE RISE OF HISTORICAL CRITICISM 3. CHAPTER III (continued)

In the Bacchae of Euripides there is an extremely interesting passage in which the immoral stories of the Greek mythology are accounted for on the principle of that misunderstanding of words and metaphors to which modern science has given the name of a disease of language. In answer to the impious rationalism of Pentheus - a sort of modern Philistine - Teiresias, who may be termed the Max Muller of the Theban cycle, points out that the story of Dionysus being inclosed in Zeus' thigh really arose from the linguistic confusion between [Greek text which cannot be reproduced] and [Greek text which cannot be reproduced].

On the whole, however - for I have quoted these two instances only to show the unscientific character of early philology - we may say that this important instrument in recreating the history of the past was not really used by the ancients as a means of historical criticism. Nor did the ancients employ that other method, used to such advantage in our own day, by which in the symbolism and formulas of an advanced civilisation we can detect the unconscious survival of ancient customs: for, whereas in the sham capture of the bride at a marriage feast, which was common in Wales till a recent time, we can discern the lingering reminiscence of the barbarous habit of exogamy, the ancient writers saw only the deliberate commemoration of an historical event.

Aristotle does not tell us by what method he discovered that the Greeks used to buy their wives in primitive times, but, judging by his general principles, it was probably through some legend or myth on the subject which lasted to his own day, and not, as we would do, by arguing back from the marriage presents given to the bride and her relatives. (4)

The origin of the common proverb 'worth so many beeves,' in which we discern the unconscious survival of a purely pastoral state of society before the use of metals was known, is ascribed by Plutarch to the fact of Theseus having coined money bearing a bull's head. Similarly, the Amathusian festival, in which a young man imitated the labours of a woman in travail, is regarded by him as a rite instituted in Ariadne's honour, and the Carian adoration of asparagus as a simple commemoration of the adventure of the nymph Perigune. In the first of these we discern the beginning of agnation and kinsmanship through the father, which still lingers in the 'couvee' of New Zealand tribes: while the second is a relic of the totem and fetish worship of plants.